See more of Nortse's works

EXHIBITION OF NEW WORK BY TIBETAN ARTIST

AT ROSSI AND ROSSI

Rossi and Rossi will present recent work by the Tibetan artist Norbu Tsering, known as Nortse, in their gallery at 16 Clifford Street, Mayfair, London W1, from Thursday 14 February to Saturday 22 March 2008.  In recent years Fabio Rossi has travelled extensively in Tibet and China and met many young Tibetan artists whose work shows an exciting fusion of traditional Tibetan culture and contemporary western art.  Self-Portraits: State of Unbalance will be the first in a series of one-man exhibitions at the gallery.

Nortse was born in Lhasa in 1963, and from 1980 to 1991 studied art at various schools, including Tibet University in Lhasa, the Central Arts Academy in Beijing and the art academies in Guangzhou and Tainjing.  His early artistic expression as a stage designer coupled with his academician’s training can be seen in his striking mixed media works.  Included in his oeuvre are profound photographic statements as well as portraits in oil on canvas.  His work deals with issues which are as relevant to London as Lhasa: global warming, environmental degradation, overpopulation, alcoholism among the young, and the desire to form one’s own identity in a world of mass media and the erosion of culture and tradition. 

The Rossi and Rossi exhibition comprises some 14 new works, for sale at prices between £5,000 and £10,000.  Nortse mixes traditional realistic oil painting techniques with contemporary photography, a style which he classifies as ‘new painting’.  He is one of the few Tibetan artists venturing into multimedia.  Several works in the exhibition depict figures with bandaged faces, three of which are entitled The State I am in (figs 2 & 3) while another, more optimistic image, entitled Extrication, depicts a half-length figure with forearms bound together but the hands opening to release a cloud of butterflies (fig. 4). 

Nortse has written “I gradually came to understand that the power of art to influence people was a matter of culture, not formal language. … I realised that the future of Tibetan art depended entirely upon whether Tibet could maintain its own unique culture.  From that point on, in my work I began to focus on the influence of the Cultural Revolution (1966-76) on Tibetan culture, and the striking economic changes taking place in Tibet.”  He is a member of the Gedun Choephel Artists Guild in Lhasa and has exhibited in Beijing, Colorado, Königswinter, Lhasa, London, New York and Santa Fe. His work is held in significant private collections in Beijing, Hong Kong, London, Paris, Switzerland and the USA.